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isp:white_balance [2019/05/09 00:53] – [Color correction for white temperature] Igor Yefmovisp:white_balance [2019/05/09 00:54] – [Color correction for white temperature] Igor Yefmov
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 For our purposes, we are using individual color channel **gains** to compensate for a given temperature. Lower temperature "white light" needs a lot of blue added to it and very little red and as the temperature climbs up, the amount of added red grows while the added blue goes down. For our purposes, we are using individual color channel **gains** to compensate for a given temperature. Lower temperature "white light" needs a lot of blue added to it and very little red and as the temperature climbs up, the amount of added red grows while the added blue goes down.
 ===== Color correction for white temperature ===== ===== Color correction for white temperature =====
-For the calibration purposes we have acquired a Philips "Hue White and Color Ambiance A19 LED Starter Kit" that allowed us to test various illumination scenarios for a range of color temperatures. For a given white color temperature setting we have dialed the red and blue gains to make the scene "white" (leaving the green gain at its constant value of ''1024'').+For the calibration purposes we have acquired a Philips "Hue White and Color Ambiance A19 LED Starter Kit" that allowed us to test various illumination scenarios for a range of color temperatures. For a given white color temperature setting we have dialed the red and blue gains to make the scene "white" (leaving the green gain at its constant value of \(1024\)).
  
 Corrections to the red channel were way more noticeable than those to the blue one so we approximated the blue gains' graph with a single line, described by the formula \(B = 4205.4 - T*0.4087\). Corrections to the red channel were way more noticeable than those to the blue one so we approximated the blue gains' graph with a single line, described by the formula \(B = 4205.4 - T*0.4087\).
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 ===== Practical example ===== ===== Practical example =====
-What does all that mean in practice? Suppose you have set up your scene with "white" lamps that are marked as ''4100''°K. Based on the above information you'd know that to get the best "natural" colors out of that scene means setting your red channel gain to ''1217'' and blue gain to ''2529'' while leaving the green gain at its default ''1024'' value.+What does all that mean in practice? Suppose you have set up your scene with "white" lamps that are marked as \(4100°K\). Based on the above information you'd know that to get the best "natural" colors out of that scene means setting your red channel gain to \(1217\) and blue gain to \(2529\) while leaving the green gain at its default \(1024\) value.
  
 See also [[Automatic white balance]] See also [[Automatic white balance]]

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